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Bleached Thread, Sister Thread

December 5, 2022 by Tina Davidson

for string quartet

June 28

Cody, Wyoming, the first afternoon, is dark and overcast. At night, I cannot see the full moon. But today is blue and so bright; the mountains are clear and tremendous. As I walk, I am reminded of other spastel, in the gardenolitary walks and weeping landscapes – green, green, meadows and black grey skies.

The new work I am hearing is different. I feel its weight and am reluctant to take up the responsibility. Bleached Thread, Sister Thread, commissioned for the Mendelssohn Quartet, takes the title from one of my sister’s, Eva Davidson, poems. These are old issues; sister bonds, attachments, and delicate fine stuff – a sense of joy and release.

Gratitude reappears in my mind. I find it difficult to accept gifts without payment. So used to a bad turn, a broken heart, it is almost beyond my understanding to accept the gift of returned health without sacrifice. Pain has always defined me. Will gratitude now make me one of them? One of whom?

Opening one’s self to grace.

 July 15

I begin to hear.  Quietly, and with bursts of light, a song emerges out of rubbing – a soft shuddering

          what was gathered or what was learned;

          and now you and I will tell each other

          what we know, that to be distant

         is sometimes closer than to be near. (1)

September 16

The shape of the quartet keeps changing. In this piece, I am guided more by the material than the form. There is a dark black energy in my stomach. Despite the clear, calm weather, the days are unsure.

At first I was conflicted over the work moving a direction I had not planned. But when I viewed the construction with curiosity instead of tension, the work reveals itself. The energy of the music is fierce in its optimism, constantly moving forward and changing. I feel the animation of health restored, of a future fullness refreshed.

Yet, still, still – a disconnection. Despite the celebration, a fracture in my life shows itself. The piece ends in a deep sadness. I cannot control this; I only allow what is.


Excerpted from Let Your Heart Be Broken, Life and Music from a Classical Composer by Tina Davidson.  © Tina Davidson, 2022

(1) excerpt from Bleached Thread, Sister Thread, poem by Eva Davidson

In the Garden, pastel by Tina Davidson

 

 

 

 

 

Filed Under: Uncategorized Tagged With: comsing music, creative process, music journal, process of composing, string quartet, thoughts about musical composition, Tina Davidson, women composers, women in the arts, writing about music

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© 2025 Tina Davidson · Photos by Nora Stultz